Textured Fine Art

In my studio, painting is secondary to the surface. I firmly believe there is no such thing as too much texture. These works are a deep dive into the 'perfectly imperfect'—a celebration of the grit and grace found in urban decay. 

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By hand-sculpting heavy layers of molding pastes, wax, and crackle mediums with palette knives, I create 'super-textured' abstracts that shift with the light and invite a closer look. Here, the canvas isn't just a surface; it’s a tactile history waiting to be felt.